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Showing posts with label MUSIC. Show all posts
Showing posts with label MUSIC. Show all posts

Friday, 1 May 2015

This is What I Might Have Missed

Uncut Magazine posted an article today that says according to a recent study that people stop listening to new music at aged 33!

I am five days away from my 52nd birthday and if there was any truth in that study then 19 years ago I would have stopped listening to anything new. So to prove a point here's just a few things that I might have missed had this been true. 

In a particular year you might notice a band/artist that had actually been around a while. I put them there because I might have heard a song or their new album and then went back and discovered the rest of their catalogue (my friend Mark Currie put it great, 'I find I'm more often hunting backwards for "new" material'). These are just a small number of things, there's probably much more that could be added each year!


2015 (aged almost 52)

2014 (aged 51)

2013 (aged 50)

2012 (aged 49)

2011 (aged 48)

2010 (aged 47)

2009 (aged 46)

2008 (aged 45)
Mudcrutch 

2007 (aged 44)

2006 (aged 43)

2005 (aged 42)

2004 (aged 41)

2003 (aged 40)

2002 (aged 39)

2001 (aged 38)

2000 (aged 37)
Lifehouse.
Good Charlotte.
Bill Mallonee and the Vigilantes of Love.

1999 (aged 36)
Julie Miller.
Creed.

1998 (aged 35)
Rancid.
The Donnas.

1997 (aged 34)
Buddy Miller.

1996 (aged 33)
Travis

A last piece of advice:


Thursday, 5 July 2012

Finding the Songs within The Song

The object of this post is to have a bit of fun and find the songs within the song. Any word in Yellow will have a link to it, most of them having nothing really to do with the actual song but you'll get more than one song for the price of one!


Born into a war and peace forced to choose between a right and wrong
Each man kills the thing he loves for better or for worse
Face to face with a ragged truth, mixed up and torn in two
Turned your back on the only thing that could save you from yourself


WHERE WERE YOU HIDING WHEN THE STORM BROKE
WHEN THE RAIN BEGAN TO FALL
WHEN THE THUNDER AND THE LIGHTNING STRUCK
AND THE RAIN AND THE FOUR WINDS DID HOWL


After all time building up comes inevitable knocking down [ONE BY ONE]
Comes receivers, liars, gamblers, pick pocket entourage [TWO BY TWO]
Selling out is a cardinal sin, sinning with a safety net [THREE BY THREE]
They say that all things come in threes, well here comes the third degree


WHERE WERE YOU HIDING WHEN THE STORM BROKE
WHEN THE RAIN BEGAN TO FALL
WHEN THE THUNDER AND THE LIGHTNING STRUCK
AND THE RAIN AND THE FOUR WINDS DID HOWL


All cards are marked, all fates will collide
The truth is the truth or the truth is surely a lie
Get back in your shelter if you can’t come down off the fence
And one more question, where were you?, WHERE WERE YOU?


WHERE WERE YOU HIDING WHEN THE STORM BROKE
WHEN THE RAIN BEGAN TO FALL
WHEN THE THUNDER AND THE LIGHTNING STRUCK
AND THE RAIN AND THE FOUR WINDS DID HOWL
WHERE WERE YOU HIDING?


'The Songs Within A Song'

©Doug Watson

Thursday, 14 October 2010

Joe Elliott's Down 'n' Outz

Found this little note about Joe Elliott's latest outing at Blabbermouth.Net

"Sometimes the most interesting of projects arise from the most unusual of circumstances. So it is that the DOWN 'N OUTZ is a project fronted by DEF LEPPARD's Joe Elliott, backed by THE QUIREBOYS and playing rare tracks connected only by MOTT THE HOOPLE….

Joe Elliott takes up the story: "When MOTT THE HOOPLE announced they were reforming for a week's worth of shows at the Hammersmith Odeon, I was asked that I participate in some capacity. They've always been my favorite band and it's nice to see the rest of the rock world finally catch up and give them their due.

"But, what was I to do? It was suggested to me that THE QUIREBOYS would be up for offering their services. This was perfect! A fan since their first album, I loved the idea of working with a band as enthusiastic to do this as I was.

"I decided that the thing to do was play some songs that like minded people thought they would never hear live again, if ever, songs by spin-offs of MOTT THE HOOPLE — songs by Mott, Ian Hunter and BRITISH LIONS. Songs that are close to my heart, songs that I've played every week for the best part of 35 years on record, cassette, CD, iPod and now live."

The DOWN 'N OUTZ supported MOTT THE HOOPLE at one of their legendary 2009 reformation shows at Hammersmith Odeon. In addition to Joe Elliott (vocals, guitar, keyboards), the band featured THE QUIREBOYS' Paul Guerin (guitar), Guy Griffin (guitar), Keith Weir (keyboards) and Phil Martini (drums) and finally bassist Ronnie Garrity (RAW GLORY). Following a rapturous reception, the one-night project took on a life and energy of its own and an album project was born. DOWN 'N OUTZ then set about recording an album's worth of material. Entitled "My Re Generation", the CD was produced by Joe Elliott, with co-production by Ronan McHugh, and was recorded at Elliott's own studio Joe's Garage and Moor Hall studio in Bedfordshire.

"My Re Generation" track listing (with original recording artist listed in parenthesis):

01. Golden Opportunity (Ian Hunter)
02. Storm (Mott)
03. Overnight Angels (Ian Hunter)
04. Career (No Such Thing As Rock 'n' Roll) (Mott)
05. England Rocks (Ian Hunter)
06. Shouting And Pointing (Mott)
07. By Tonight (Mott)
08. Who Do You Love (Ian Hunter)
09. One More Chance To Run (BRITISH LIONS)
10. Good Times (Mott, originally recorded by THE EASYBEATS)"

The album is released as a 13 track CD and actually came out in July this year. It's pretty good stuff as well. I wasn't quite sure how it was going to sound but I have to say I'm quite impressed.

Thursday, 8 July 2010

The Runaways & Edgeplay: 2 Movies About One Band


Two very different movies about the same band. The Hollywood version, starring Dakota Fanning & Kristen Stewart and released in 2010 mainly spotlights the relationship between Currie & Jett, yet gives little kudos to Lita Ford or the brilliant Sandy West. Also no mention is given to bassist Jackie Fox and her departure from the band when the band were in Japan. Whilst the movie is okay (has a good soundtrack and performances by The Runaways) it does fall far short of a definitive treatment of the band and their influence. The movie is based on Cherie Currie's book 'Neon Angel' and both Currie & Joan Jett gave the movie their blessing. But so much seems to be missing in the film from the 'real' story of the band.


You Can Watch Parts of The Movie Here.




Edgeplay, is a different beast altogether. Made by former Runaways bassist Victory Tischler-Blue and released in 2005. Vicki manages to get interviews with all The Runaways except Joan Jett. The final cut of Edgeplay is actually very different to the movie that Blue created. This is what she had to say about her movie and the struggles to get it released and on the new movie. This is taken from The Sydney Morning Herald (July 9th 2010):

''It was ugly,'' Tischler-Blue says. ''Blackheart [Jett's management company] have been very ugly about it. There have been a lot of lawsuits going back and forth.

They made the release of my film very, very difficult. They destroyed the first version, which is all about the music, the performances, the songs, by putting a claim against the film. I lost the rights to the Runaways' music, so I had to go back and re-edit to make a completely different film.''

As a latecomer to The Runaways after their initial rush of '75 to '77, the muso-turned-filmmaker was in a unique position to document a truly historic, if creatively meagre, rock'n'roll phenomenon.

The band she joined was already damaged: a disparate alliance of
17 and 18-year-old Los Angeles girls facilitated by glam-rock impresario Kim Fowley (see Kiss, Alice Cooper) and thrown to the wolves from San Fernando to Tokyo.

Currie, the band's bombshell front chick, was only months away from quitting the group. As the band's junior focal point, she hadn't coped with the fame, drugs and other abuses that greeted a pretty blonde minor wearing corset and suspenders on the '70s rock stage.

''Jailbait rock'' was a media catchphrase encouraged by Fowley. He's portrayed as a deranged comic-book villain in The Runaways but cuts a more disturbing figure in Edgeplay's interview footage.

''Kim and I are friends, always have been,'' Tischler-Blue says. ''My take on Kim will probably surprise you but he gave me great gifts as a kid, tremendous tools and self-belief. I'm very grateful I had him as a mentor, as weird as he is; as twisted and inappropriate as he is - and he is.''

Currie and lead guitarist Lita Ford give vent to much less charitable views of Fowley in Edgeplay. Their scathing recollections of his verbal violence and Machiavellian style come across as the tip of an iceberg of abuses by parties unnamed.

''I have to be very careful what I say, for legal reasons,'' Tischler-Blue responds. ''There are stories that I can only half-tell in the film for a variety of reasons, legal as well as moral. I could only go so far.''

What's clear from the often uncomfortable interviews in Edgeplay is a tangled web of abiding hostilities between various band members - and the lasting anger and emotional torment of several of their parents.

Drummer Sandy West, a co-founder of the band who died from lung cancer four years ago, cuts an especially tragic figure.

None of this appears in the Hollywood version, which is re-imagined by rock-video director-screenwriter Floria Sigismondi as a redemptive buddy drama between feisty brunette Jett (played by Kristen Stewart) and blonde ingenue Currie (Dakota Fanning).



''I have issues with it,'' Tischler-Blue says. "I've been contacted by a few of the actresses in the movie. They told me they loved Edgeplay, they watched it religiously to get a feel for the girls and their nuances, what their characters were about. That made me feel good.

But with the movie, the slant is the Joan-Cherie relationship. I feel like they could have honoured Sandy's memory a little better.''

The worst casualty of both films, however, is the music. In The Runaways, we cop Fanning's dud karaoke version of their sole hit, Cherry Bomb. In the documentary, thanks to Jett's legal embargo, it's replaced by Ford's solo noodling and a couple of tracks gifted by elder stateschick Suzi Quatro.

"And that, unfortunately, is not my call," Tischler-Blue sighs. ''The first version of my film [the one with all the performance footage] may someday be released as a bootleg. Who knows? Maybe I should just put it out there, create a viral video.

''It's a shame. I'll never understand it. Nor will my bandmates. I suspect it's more Joan's management than Joan. But I don't know. I really don't know.''

Ultimately, as with all stories, what we're left with after each film is only a version of whatever the truth might be. The Hollywood construct naturally comes with a neat and tidy subtext: girls can do anything together. Asked about the moral of Edgeplay, Tischler-Blue is less upbeat.

"Oh god. Be careful what you wish for."

My own take on both movies is that I prefer Edgeplay because it is the story as told by the actual band. The only blot on it of course is the absence of Joan Jett and the music of the band (a few tracks do appear but not their most famous songs due to Jett's legal challenge to the movie). The newest movie could have been so nuch better if time was given to develop the other characters instead of just focusing on Jett & Currie.

One good thing that does come out of it all is that people discover afresh the music of The Runaways. They made a number of great albums and opened the door for more female only bands to break into the business.

Sunday, 4 July 2010

My Favourite Album(s) Part 3


The Men They Couldn't Hang - Night of a Thousand Candles

I always remember the first time I heard 'Ironmasters' by MTCH back in 1985 and being totally blown away by it. Their sound was quite different to a lot of things that were going on at the time and they stood out in the Indie sector as a band worth watching. Not sure how I missed it but their debut single 'The Green Fields of France' (1984), but I do remember it from a four track John Peel Session (July 1984)that was pretty impressive ('Walkin Talkin', 'The Men They Couldn't Hang' and 'Boy Named Sue' were the other three songs).

The album doesn't have a poor track on it and is a fine mix of Folk and Punk that few bettered back in '85. It's right up there among my favourite debut albums.

Monday, 7 June 2010

In Memory of Stuart Cable



7th June 2010, a sad day indeed when we learned of the passing of Stuart Cable, former member of the Sterophonics and of late the drummer of Killing for Company.


(Stuart on stage at The Gathering, January 2010)

Killing for Company were due to play the Download Festival at Donnington and recently they were on tour with The Alarm during the 'Direct Action' Tour.

Mike Peters, lead singer with The Alarm, said Cable's band had only recently played with them and his death was a "real shock" and a "real tragedy".

"He was supposed to be joining us for Rhondda Rocks. I will remember him as someone who was so alive - I can't believe he's gone. I don't know what the circumstances are but it's a real tragedy.

"He was always smiling and laughing and great to be around. He had lots of energy and couldn't wait for the next day to come around.

"He was a larger than life character who seemed to be a driving force behind the personality of the Stereophonics."

Soundtrack4Life sends their heartfelt sorrow to the family of Stuart and wishes to honour the man who made a deep and lasting impression on so many, especially in his homeland of Wales. His absence from the drum stool will sorely be missed.

This is our tribute to him and to all who loved him and to the many fans up and down the land who today feel that they have lost a friend.

Killing for Company on the Direct Action Tour:

13th April 2010 Reading

SUB89 Interview


Wake Up


Born Yesterday


25th April 2010 Ebbw Vale

Backstabbing for Beginners


Former Mining Town


Lost Out of Deception


28th April Nottingham


2nd May 2010 Liverpool

Guilty Bones


Here's a few more from scattered places.

Enemies


Say About Me


Even After All


We finish this little tribute to Stuart Cable with a performance of Dylan's 'Knocking on Heaven's Door' performed by The Alarm, with Killing for Company & Willie Nile joining them on stage on the final night of the 'Direct Action' Tour in Liverpool on May 2nd 2010

Friday, 21 May 2010

My Favourite Album(s) Part 2

Continuing a list of some of my favourite albums



Magazine - Real Life
When Howard Devoto left The Buzzcocks we wondered what would become of him and exactly what type of music his new band Magazine would be gracing us with. Enter the first single, 'Shot by Both Sides' and you knew right from the off that they were going to be something special.

'Real Life' I believe is their best work ( the other albums that followed were pretty good also, but I'm always charmed by debut albums). Tracks like 'Motorcade' and especially 'The Light Pours Out Of Me' are utterly brilliant.



Hanoi Rocks - 'All Those Wasted Years'
Live albums are rarely brilliant, and most of them are put out by bands to fulfill contractual duties, so it is a rare thing when a Live project is totally brilliant. Hanoi Rocks' 'All Those Wasted Years' (live at The Marquee Club in December 1983 and released in 1984 just as the Finnish boys were about to unleash their CBS debut 'Two Steps From The Move')is in my mind one of the best live albums ever!

It contains all the classic Hanoi Rocks tunes from their previous four releases and whilst they went on to record other great material this record of a fantastic show it is at the top of the highlights of their career.



The Runaways - 'The Runaways'
I was 13 years old when this album was released. Lead vocalist Cherie Currie was only three years older than me!
Girls in rock was such a rare thing, I mean Suzi Quatro had been doing her thing down at 'Devil Gate Drive' but there were not many others. Whatever people might say about The Runaways one thing we have to remember is that they knew how to play rock and roll. Some people disliked that Kim Fowley "exploited" them but decades on from this Cherie Currie, Lita Ford and John Jett are still making music and it doesn't seem to have harmed them too much.
Their debut was not really a punk rock album. Not sure how they got lumped in with that (two tracks of theirs would appear on the 'New Wave' album that was released in 1977 that also included The Dead Boys, Skyhooks, Talking Heads and Flamin' Groovies) but the did have that attitude and swagger. Albums that followed were probably a lot better than the debut but like The Damned, The Clash, The Ramones albums it was a life changing moment hearing it for the first time.

Monday, 17 May 2010

My Favourite Album(s)

From time to time I get asked what is my favourite album. I have to confess that I always find it difficult to name just one, so for the purposes of this blog I will name a few albums that I treasure but by no means is it conclusive and is not in any particular order (if I get some time I'll post about a few more).



The Alarm are one of my favourite bands ever. Even today they are still going strong (albeit with a different line-up to what is on 'Declaration') and are still writing great anthemic rock and roll. I am hard pressed to find a bad track on this album and trying to think of one standout track is nigh impossible.

The release of this album set in motion a renewed love for music after falling out with Punk music when it became consumed with Speed Metal and Oi. It also has opened the door to some of my most lasting friendships with folks from all over the world.



Reggae has always been something I have loved going way back to the old Prince Buster tunes and the 1970's Trojan releases. Trying to pick out my favourite of all Reggae albums though was not easy. I had a short list of three: 'Two Sevens Clash' by Culture, 'M.P.L.A.' by Tappa Zukie and 'The Best Dressed Chicken in Town' by Doctor Alimantado. The good Doctor won out. Whilst most people were fussing over Bob Marley, it was guys like Dr. Alimantado that I thought were doing some of the finest Reggae around. This particular album is loaded with great tunes like 'I Shot the Barber', 'Poison Flour' and 'Johnny Was A Baker'. Also worth checking out is his album 'Born for a Purpose'.



'Damned, Damned, Damned' was of course the first UK Punk album and although bands like the Pistols and The Clash thought The Damned as just a comic act this album was the total opposite. If 'New Rose' was anything to go by then you knew that the album was going to be a scorcher. Twelve slices of fast and furious punk that was like a sonic assulat on your eardrums! The final track on the album is a classic look back to the founding fathers of punk, The Stooges and goes to show that The Damned were a band to be taken seriously. On their third album, 'Machine Gun Etiquette' they would cover MC5's 'Looking At You' and prove again that they were still a force to be reckoned with.



Next to 'High Land, Hard Rain' it is quite possible that 'Stray' is one of the finest releases that Roddy Frame, under the banner of Aztec Camera has ever released. It had been three years in the making after the highly successful 'Love' album and whilst that album had been full on dance/pop, 'Stray' never stuck to one particular formula. Of all the Aztec albums 'Stray' embraced everything from full on Rock and Roll to sensitive Jazz. This would normally be regarded as a recipie for disaster but Roddy Frame pulled it off. Tracks like 'Good Morning Britain' (a collaboration with Mick Jones), the wonderful single 'The Crying Scene', 'Get Outa London' and 'That's How It Is' form the hard rockin spine of the album and whilst they are good tracks it is actually the quieter ones that make this album stand out. 'Stray', 'Over My Head', 'Gentle Kind', Notting Hill Blues' and the beautiful album closer 'Song for a Friend' show off Frame's talent for writing beautiful songs (something he has continued to do as a solo artist).

A quick word in passing about the 1984 release 'Knife' produced by Mark Knopler. This album was totally slated by critics and is still regarded as one of the worst albums that Aztec Camera ever released. I think that is a bit too harsh because apart from the over indulgent title track it it includes some of Roddy's best moments.



This album was the make or break for Springsteen after his first two albums didn't do so well (but a listen to both 'Greetings from Asbury Park' and 'The Wild, The Innocent and the E Street Shuffle' will show you that they are both quality albums.) And what a cracker of an album it is! So much has been written about it over the years that I scarcely need to heap any more praise upon it. It has only eight songs on it but the stories those songs tell laid the foundation for my longing for life, travel, love and a host of other things. 'Thunder Road' sets off the journey and it's a wild roller coaster ride the rest of the way.

Springsteen of course has recorded many great albums but none come close to topping 'Born to Run' - though saying that, 'Nebraska' comes a very close second!




I was never a Mod but there were a number of Mod bands that I had the pleasure of working with and loved their music (Long Tall Shorty, Secret Affair, Purple Hearts & The Teenbeats to name but a few). The Chords were one of those bands. They put out a number of cracking singles ('Maybe Tomorrow' quite possibly their best) and one of the great debut albums of all time (well according to me anyway!) in 'So Far Away'. The Jam were always considered the front runners when it came to Mod music in the '80's and whilst I liked a lot of material that Weller & Co released, it would be wrong to not to place The Chords in second place. Live they were stunning to see and the twelve tracks that made up their debut showed that they meant business.

Thursday, 4 February 2010

The Gathering Set Lists

Mike Peters Acoustic Set Friday 29th January 2010

Mike Peters & Electric Band Set Friday 29th January 2010

The Alarm Set Saturday 30th January 2010
My Town
45 RPM
Marching On
The Opening/Three Sevens Clash
Sold Me Down the River
Kill Kill Kill
Where Were You Hiding?
Loaded
Be Still
The Stand/Lie of the Land
Alarm Calling
It's Alright It's Okay
Without a Fight
Absolute Reality
Right Back to Where I Started From
Rain in the Summertime
Superchannel
Strength
Drunk & Disorderly (1st take)
We are the Light (improvised)
Drunk & Disorderly (2nd Take)
68 Guns
Blaze of Glory
_________________

One Guitar/Rescue Me
Love Hope Strength
____________________

Walk Forever By My Side
Spirit of 76
Knocking on Heaven's Door

Monday, 1 February 2010

The Gathering 18: 29-31st January 2010 Part 1


Friday 29th January 2010
A weekend in Prestatyn, Wales would probably not be everyone's highlight but when you throw in the fact that it was a weekend spent in the company of Mike Peters & The Alarm and with quite possibly the best fans on planet earth, then there's no complaining to be done!

The past couple of weeks the excitement levels have been going into overdrive for this event (after all I having been waiting a whole year for it to happen) and I was hoping that there would be nothing to disappoint. The Alarm had a lot to live up to. After last years show I could have sworn that there was no way they could ever be as good as that again, but of course such doubts are easily blown in the wind. If there is anything predictable about Mike Peters and The Alarm it is that they know how to surprise people and leave them standing in a state of shock!

A few folks had been concerned about having The Gathering at Pontins in Prestatyn because they assumed that the holiday camp was more like a prison and that the facilities would not be sufficient for an event like this. Pontins may have underestimated their staffing for things like the bar on Friday but they seemed to have got it worked out by Saturday. The accommodation was generally quite good (though of course there were a few folks who had issues with lack of hot water etc!) and many people I spoke with said that they liked this set up with everyone and everything close by.

The chalets are just really for sleeping in and there was plenty of entertainment to keep you occupied across the week. We missed the opening band on Friday and got over to the 'Love Hope Strength Lounge' in time for Mike's Opening Address (though it wasn't really an address at all but a welcome to one and all before he pronounced that "The Gathering was now open".

First up in the 'Red Poppy Arena' was Mike's 'Acoustic in the Round'. Surprisingly in this 18 song set there was not a single Mike Peters solo song to be seen or heard!

Where Were You Hiding When the Storm Broke


One Step Closer to Home


All Seeing


This Is Life (Get Used To It)


One of the big differences to previous Gatherings was that this year there was a whole bunch of support acts. Chris Summerill followed Mike's solo set. To find about more about Chris and his music Click Here.

Next up was Mike Peters Electric Band. We had been wondering who the members of this band were going to be and I guess I was a little surprised to discover that it was none other than Mike's Alarm band mates (James, Craig and Stevie - and Mark Taylor on keyboards). The set was basically the 'Feel Free' album in its entirety and a couple of other tracks including a superb rendition of 'Gone Elvis', with Mike Peters dressed up in an Elvis jumpsuit!



The evening ended with a Midnight show by Dave Sharp in the 'Spirit Ballroom'. I have to admit that I gave up after a few songs. It sounded like the same set he played last year and it's a bit harder to concentrate that late at night on the wordiness of Sharpie's tunes!

Day one past and more to come on Saturday.

Monday, 25 January 2010

The Weekend Will Soon Be Here!


Friday is not that far away and I'm ready for what looks like a busy weekend in Prestatyn. If you don't believe me, take a look at this:

THE GATHERING 2010, Prestatyn Sands, Wales

WEEKEND ITINERARY


Friday 29th January

LOVE HOPE STRENGTH LOUNGE

1700 - Doors
1715 - The Resistance
1815 - Tardis
1900 - Mike Peters Welcome / Opening Address

RED POPPY ARENA

2000 - Mike Peters - Acoustic In the Round
2115 - Special Guest - Chris Summerill
2200 - Mike Peters Electric Band
Performing the 'Feel Free' album in it's entirety plus the best of Mike Peters solo years.

SPIRIT BALLROOM

2400 - Midnight Special with Dave Sharp
0100 - DJ
0130 - Close

THE GATHERING 2010
Saturday 30th January
DAYTIME EVENTS


LOVE HOPE STRENGTH LOUNGE / SPIRIT BALLROOM

0900 ­ Doors

0930 - Phil's Rockin' Tour Of Alarm History.
Rendezvous with tour bus outside Love Hope Strength Lounge.
Duration approx. 1 hour
Seats on bus are limited. Priority given to those who pre-booked.

1000 - The Alarm Guitar Show with Andy Gray and James Stevenson.
See Alarm guitars from 1977 to the present day up close and personal. Play a chord or two and have your picture taken with them....

1100 - Mike Peters Guitar Masterclass
Sit in with Mike and learn how to play 'Heaven's Door'
Find out how he taught the song to U2.
Ask MP about guitar techniques employed throughout Alarm History.

1200 - Alarm Mastermind with Modnuss Modnusson plus working lunch Enter a team and test your knowledge on Alarm History past and present while taking lunch in the Spirit Ballroom.

1400 - The A Factor - Battle Of The Bands featuring:

The Pillagers (Buffalo, USA)
Nick Heath (Nottingham, UK)
Falling Apart (Ilfracombe, Lancashire)
Shoot The Poets (Ripley, Derbyshire)
Micky Oliver (North East of England)
False Alarm (Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch, Wales)

Hosted by J.J.

Judges : To be announced

1600 - CLOSE


THE GATHERING 2010
Saturday 30th January
EVENING EVENTS


LOVE HOPE STRENGTH LOUNGE / RED POPPY ARENA


1830 - Doors
1845 - A Factor Winners
1915 - Night Of Treason
2000 - Killing for Company
2100 - The Alarm

SPIRIT BALLROOM

2400 - Punk Rock Karaoke Band w/ fans and special guests singing.....
0100 - Children Of The Revolution

No Curfew....

THE GATHERING 2010
Sunday 31st January


LOVE HOPE STRENGTH LOUNGE

0900 - Doors

0900 - Bone Marrow Donor Drive with LHS and The Anthony Nolan Trust
Find out more about how you could be the one to save a life....

1000 - Love Hope Strength Walkathon w/ Mike Peters and Choir Pentan
Approx. 1 mile along the beach.... no hills!!!
Mike Peters and Choir Pentan will perform live on Barkby Beach (weather permitting of course!!!!!).

1200 - Signing / Photograph Session with Mike Peters.

1400 - Farewell :(

Wednesday, 20 January 2010

Nine Days Until The Gathering


Only 9 days to go before we meet in Prestatyn for The Gathering 18 with Mike Peters & The Alarm. As you can see from the above poster there will be lots of guests throughout the weekend.
The Gathering experience is something quite like no other. Firstly there is the music. That of course is on of the main reasons we go. Friday nights are usually dedicated to a fine acoustic outing by Mike Peters. Last year he played a 25 song set that lasted for well over two hours. Saturday night is Electric Night and for well in excess of three and a half hours The Alarm blasted through a 38 song set that included Alarm classics and many of the fantastic songs that the band have released since the year 2000.
This year The Gathering has moved out of Llandudno and will be at Pontins in Prestatyn. There is more music then we ever could imagine on offer. Add to that a Guitar Workshop with Mike Peters, a Mastermind Quiz, a brave After Show Party that includes The Children of the Revolution and a Punk Karaoke led by A Night of Treason and a Sunday morning stroll on the beach with Mike Peters and his family that will be crowned with Mike performing alongside a Choir. There's almost not enough hours to cram all of this in.
Secondly, The Gathering experience offers a great opportunity to meet fans and friends from all over the world who have been following the band throughout their career. I would not be wrong in saying that this Alarm community is one of the best ever. I cannot even for a moment begin to number the amount of people that I have met as a result of this band. Many of those friendships I count as very precious. These guys and girls come from all walks of life and yet despite the many differences between us there is a great bond that is very difficult to define with words alone.
One of the things that is a little bit different from previous Gatherings is that everybody present will be 'under one roof'. In times past those attending The Gathering would be scattered across different hotels and B & B's and there would always be a scramble to beg and bribe for passes to the After Show Party at The Grand Hotel in Llandudno. This year there will be none of that because everyone is invited.
It is gearing up to one of the best Gatherings ever. Only 9 days to go, I can hardly wait!

Breathe - Mike Peters (2009 Gathering 17)

Friday, 15 January 2010

The Gathering 18 Only 14 Days to Go!

Fourteen days to go until The Gathering. It's going to be a great one with so much to hear and plenty to experience.

There are a number of Special Guests throughout the weekend. Included in this crowd are: Dave Sharp, The Children of the Revolution, Killing for Company (Stuart Cable of Stereophonic's band), Chris Summerhill (Singer/Songwriter) and A Night of Treason.

There will also be an 'A Factor' battle of the bands to determine who will get a shot at supporting The Alarm on the Saturday night show. See here for more information on the artists

There are also opportunities to play guitar with Mike Peters in Guitar Masterclass; an Alarm Guitar Show; the infamous Alarm Mastermind (which I came 2nd in last year!); a bus tour; Punk Rock Karaoke (which I will be taking part in) and a special Sunday morning Gathering Rocks in aid of Love, Hope and Strength.

For more information on The Gathering event at Prestatyn click here

I will be posting photos and videos of the weekend as soon as I possibly can either during the weekend of the 29/31 of January or when I get home.

Here's a little taste from The Gathering 17 (2009)

Acoustic Night - Friday

Unsafe Building & The Deceiver


The Stand


Electric Night - Saturday

The Drunk & Disorderly


Father to Son



Flyleaf UK Tour 2010


Very excited to hear that Flyleaf are returning to the UK. The dates for the shows are:
March 22 Portsmouth, Wedgewood Rooms
March 23 Nottingham, Rock City
March 24 Leeds, Cockpit
March 26 Newcastle, Academy
March 27 Glasgow, King Tuts
March 28 Dublin, Academy
March 30 Manchester, Academy III
March 31 Birmingham, Academy II
April 1 London, Islington Academy

Flyleaf - Beautiful Bride (Live)

Los Mondo Bongo UK Tour


Celebrating the music of Joe Strummer is proving to be a good thing for Los Mondo Bongo. After a brief tour last year they have decided to hit the road again and charm us with everything that made Strummer so vital to listen to.

The dates for the UK are:

Wed March 10th Leeds, Brudenell Social Club
Thu March 11th Derby, The Flowerpot
Fri March 12th Worcester, Marrs Bar
Sat March 13th Portsmouth, Drift in the City

Sun March 14th Hartlepool, The Clarendon

Tue March 16th Glasgow, Rockers
Thu March 18th Winsford, De Bees
Fri March 19th Exeter, The Cavern

Sat March 20th Bournemouth, Champions
Sun March 21st London, Purple Turtle


London Calling - Los Mondo Bongo


White Man in Hammersmith Palais - Los Mondo Bongo

Friday, 11 December 2009

Paramore Live in Glasgow

Been looking out for videos from the Glasgow show last night by Paramore and so far the sound quality is not that brilliant. This one below is the best so far (though the picture is a bit shakey at times.

Decode - Paramore @ SECC Glasgow 10th December 2009

Friday, 4 December 2009

Paramore Live in Denmark 1st Dec. 2009



Intro & Ignorance

That's What You Get


CrushCrushCrush


The Only Exception


Pressure


Misery Business






Friday, 27 November 2009

Mama Cass Elliot


Was listening to some old Cass Elliot albums today and then found this little biog on You Tube. Thought I'd share it.









Sunday, 8 November 2009

Flyleaf





It's been a long wait for the follow up to Flyleaf's superb debut album. 'Momento Mori' hits the stores on 10th November 2009. The first single from the album is called 'Again' and here's the official video released recently by the band.


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