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Tuesday 23 April 2024

Ramones - Ramones (23rd April 1976) 48 Years Old Today!

 I've done a lot of posts on Soundtrack4Life over the years spotlighting the Ramones but I was flicking through many of them recently and noticed that most of them have dead links and pictures that are missing and so I thought maybe I should redo some of them and there's no better place to start than the debut album which was released on this day 48 years ago in 1976. There's lots of links to the music so click on them to enjoy.

Ramones - Ramones
Sire
Produced by Craig Leon
Released 23rd April 1976
US Chart #111
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A1 Blitzkrieg Bop 2:12
A2 Beat On The Brat 2:30
A3 Judy Is A Punk 1:30
A4 I Wanna Be Your Boyfriend 2:24
A5 Chain Saw 1:55
A6 Now I Wanna Sniff Some Glue 1:34
A7 I Don't Wanna Go Down To The Basement 2:35

B1 Loudmouth 2:14
B2 Havana Affair 2:00
B3 Listen To My Heart 1:56
B4 53rd & 3rd 2:19
B5 Let's Dance 1:51
B6 I Don't Wanna Walk Around With You 1:43
B7 Today Your Love, Tomorrow The World 2:09

It's been 48 years ago since my ears first heard the sound of the Ramones blaring out of the radio (thanks John Peel) and in that moment the way I listened to music totally changed. The world of music was a bizzare place in the mid seventies. There were Prog bands playing songs that sometimes lasted 20 minutes or more, hard rock bands who seemed divorced from reality, and a pop world that was even more confusing at times. Enter into this mix the self titled debut album of a band from Forest Hills, New York called Ramones.
Released on April 23rd 1976, containing 14 songs that clocked in at 29 minutes and 4 seconds! This album was a radical departure from what had been the norm. Even in New York City bands like Television and Talking Heads were quite arty whereas the Ramones were a band that had their sight clearly set on reclaiming true pop music! Though in saying that, the themes of their songs were not exactly "radio friendly" and on release the album was pretty much ignored by American Radio and the record only reached #111 on the Billboard Chart. You wonder if today a number of these songs would not see the light of day due to their subject matter.
The album cost $6,400 to record over a period of seven days. There's no guitar solos, no pompus musical arrangements, just plain old rock and roll played at breakneck speed.
It was an album that for many changed their whole musical landscape and 48 years on it still sounds incredible.
"Hit it Dee Dee...1-2-3-4!"



 
There was a 40th Anniversary Mono Mix of the album released by Rhino Records in 2016 that came as part of a 3CD, 1 LP Limited Edition of 19,760 set (the LP was the Mono Mix). You can listen to the Mono Mix by clicking here. You can also listen to the complete 40th Anniversary Deluxe Edition by Clicking Here.  CD1 includes the 2016 Remaster & Mono Mix on CD1. CD2 is a mixture of Single Mixes and Demos. CD3 features two identical sets from The Roxy, CA on 12th August 1976.

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 Joey Died 15th April 2001
Dee Dee Died 5th June 2002
Johnny Died 15th September 2004
Tommy Died 11th July 2014

 
All the original members of the band have passed away but their legacy still lives on through the music of CJ Ramone, Richie Ramone, Marky Ramone and loads of bands scattered across the world.

 

Thursday 11 April 2024

Cock Sparrer - Hand On Heart (5th April 2024)

It's been a couple of weeks since the last post so let's get down to business spotlighting the new album from Cock Sparrer and a little look back at some of their previous releases.There's many links to the music so click on them to enjoy.

Hand On Heart - Cock Sparrer
Captain Oi/Cherry Red (UK)
Randale Records (Germany and Europe)
Pirate Press Records (US)
5th April 2024

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 A1 With My Hand On My Heart
A2 Mind Your Own Business
A3 I Belong To You
A4 Rags To Riches
A5 No Way Out
B1 Take It On The Chin
B2 One Way Ticket
B3 Nowhere To Be Found
B4 My Forgotten Dream
B5 Here We Stand

Formats:
CD
CD Limited Edition Book Sleeve - UK
Limited Edition Vinyl LP:

 

Red/Black Splatter LP - UK 

Picture Disc LP - UK and Europe


Oxblood/Blue LP - Germany
Red/White Splatter LP - Germany

Milky Clear LP - USA

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For a band formed in 1972 the catalogue of Cock Sparrer could quite easily be classed as "lacking", especially when you consider the output of bands who have been around just as long. I feel though that it's not the quantity of released titles that defines them but the quality of those titles. 'Hand On Heart' is only their eighth studio album and from what I gather it's their last.

 

Current Line Up:
Colin McFaull – vocals (1972–1978, 1982–1984, 1992–present)
Mick Beaufoy – lead guitar and backing vocals (1972–1978, 1982-1983, 1992–present)
Steve Burgess – bass guitar and backing vocals (1972–1978, 1982–1984, 1992–present)
Steve Bruce – drums (1972–1978, 1982–1984, 1992–present)
Daryl Smith – rhythm guitar and backing vocals (1992–present)
Former Members:
Garrie Lammin – rhythm guitar (1976–1978)
Chris Skepis – rhythm guitar (1982–1984)
Shug O'Neill – lead guitar (1983–1984)

One of the things that stands out about the band is the consistency of line up. As you will see from above, all the original members are still in the band despite the passing of fifty two years. The stability of band members has also meant a consistency to that Cock Sparrer sound that has rarely deviated from the first time I heard them singing "Runnin' Riot" in 1977 to the present day with the new album 'Hand On Heart'.

In 1977 they were signed to Decca and released two singles: "Runnin' Riot" and "We Love You". Decca dropped the band in 1978 and even though they had enough songs for a debut album it never got a UK release, but for some reason it was only issued in Spain as 'Cock Sparrer' (and it got an official UK release as 'True Grit' in 1987 and has since been reissued "unofficially" a number of times in Germany, Russia and on different labels in Europe. It did finally get an Official UK release in 2022 on Captain Oi as part of Cock Sparrer's 50th Anniversary celebrations and was a Limited Edition of 2000 on vinyl). To date I have still never seen a physical copy of the Decca release but did purchase the 'True Grit' album in 1987 released on Razor Records. The band ceased activity in 1978 but caught a new lease of life when a couple of their songs appeared on the Oi! compilations 'Oi! The Album' (1980) and 'Strength Thru Oi!' (1981). In 1982 Cock Sparrer returned with an exceptional single, "England Belongs To Me" followed in 1983 by their "debut album" (in the UK at least) 'Shock Troops'. One more album, 'Running Riot in '84', followed before the band for a second time ceased activity.

In 1992 the band reunited for a second time and played a number of reunion shows and released in 1994 the excellent 'Guilty As Charged' album and 'Two Monkeys' in 1997. Since then the band has toured and played at festivals like Wasted/Rebellion, Punk & Disorderly and Riot Fest in Chicago. 'Here We Stand' album came ten years later in 2007 and then 'Forever' in 2017.

Thanks goodness we haven't had to wait until 2027 for another new album! Have a listen above to the  'Hand On Heart' album.

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My Top Five Cock Sparrer Songs

1 - Because You're Young
2 - We're Coming Back
3 - Chip On My Shoulder
4 - Spirit of '76
5 - Anthem

 

 

Saturday 16 March 2024

The S4L Interview: Mike Aquilina

To follow on from the big post about Dion I thought it would be really good to get a perspective on the songwriting of Mr DiMucci and there's probably no one better to ask about that than Mike Aquilina, who just happens to be the Co-writer of many of Dion's songs since 2011. I'm grateful to Mike for taking some time out of his day to do this interview. There's some links throughout the interview that will lead you to some music, click on them to enjoy the sound of Dion.

S4L: I've been browsing your website and biography on Wikipedia and even from a casual glance the title Songwriter doesn't really stand out. So before we get to that c'mon, and don't be shy, and let us know what your daily profession is.

Mike: I'm a freelance writer, and that's what I've been doing since 1996. Before that, going back to 1983, I had writing jobs in newspapers, tech, advertising, marketing. As a freelancer I've taken on all sorts of work, from ad copy to television scripts. But it's all writing. Songwriting is writing.

S4L: You have written a lot of books and it's quite interesting gazing through the list on Amazon because there in the middle of all these books on various aspects of Catholic History is Dion: The Wanderer Talks Truth (stories, humor & music)! Are people surprised that you have written a book with one of Rock 'n Roll's great legends?


Mike: They are! I often boast that I'm the only guy in Catholic media who's had Lou Reed write a foreword to one of my books. 

I'm known to my friends as a rather extreme nerd, so I often play up the incongruity for comic effect.

Even Dion makes fun of me for it. He calls me "Clark Kent," because I can disappear into a phone booth and come out with a song sung from the perspective of a man having an alcoholic blackout.

S4L: I'm interested how and when you first met Dion? Was it when you teamed up to write the book? Were you aware of who he was and his place in the history of Rock 'n Roll music or was it at first "just another job"?

Mike: I met Dion years before the book, closer to the turn of the century. We were both on a religious pilgrimage in Italy, visiting the tombs of Peter and Paul, the sites associated with St. Francis of Assisi, and eating a lot of pasta and gelato together. We hit it off and stayed in touch after we got back home. We have many common interests — the Bible, early Church history, rock and roll music, Italian food, and the meaning of life.

Dion is an early-morning walker, and when he walks he thinks, and often when he thinks he wants to talk. So we spent a lot of time on the phone, and we got to know each other very well. He also lives pretty close to my brother, so I was able to visit him when I was in town.

When he was asked to write a memoir, he got me to collaborate. That was around 2011. I was thrilled to do it. It was certainly different from anything else I'd done. And by then I considered him one of my closest friends. He's like a brother to me. In fact, he's like a brother to my siblings. By now they probably prefer him to me.


S4L: A question I'm sure the readers of this blog will find fascinating is how a Catholic Hiistorian, author, speaker, journalist ends up becoming a Co-songwriter for Dion DiMucci? Did you tell him that you were into writing poetry and songwriting? Did you just turn up on his doorstep one day and say, "Hey Dion, I've written a couple of songs that you might want to record"? I know that might sound daft but I'm genuinely interested how the whole thing came about.

Mike: Dion had been writing for decades with Bill Tuohy, but Bill's health was failing. So Dion made the decision to stop doing original music and just do covers and tributes.

One day, though, on a whim, he called and left a message on my answering machine. He recited a line and then repeated it, and then said: "I want to sing that line in a song, and you're gonna write that song." And he hung up.

I saw what he was doing. He was daring me to write a song. It's Italian-American machismo. I had to prove myself.

By then I'd done a lot of writing with him — his book and some other small things. I guess he saw potential in all that.


S4L: Do you recall the first song you co-wrote with Dion, was it one that ended up on the 'Tank Full of Blues' album, which I think was the first time your name pops up on the songwriting credits on any of his albums?


Mike: It was "I Read It in the Rolling Stone," which was our first single from TANK FULL OF BLUES. The title was the line he had recited into my answering machine.

It worked out well. Rolling Stone magazine took notice. We didn't make it to the proverbial cover, but we were featured on page 3. I couldn't buy five copies for my sainted mother because the other thing on page 3 was a nice young woman who was wearing nothing but her tattoos and a gigantic snake.

Jann Wenner sent Dion an email saying that our tune was now his favorite song that namedrops his magazine. So I guess that puts us ahead of Dr. John, Joni Mitchell, and the Rolling Stones on at least one chart.


S4L: I have known and know quite a number of songwriters who also write with other folks who are usually in the music business and so forgive me for sounding a bit basic here, how does the whole thing of co-writing a song happen when one of the writers is not a full time musician? Can you pick a song from the many you have co-written with Dion and give us an insight into how it came together? Does it happen the same way every time or is each song unique in its creation?

Mike: I think of our songs as an expression of our friendship. We've known each other a long time. I know his life, I know his memories and experiences. I know his concerns for the future. Songwriting has become just another avenue we take in our conversations.

But there's no one-and-only way we write. There's no process. Sometimes we start with a line of lyric, as we did in "Rolling Stone." Sometimes we start with a melody. Sometimes one of us will come up with a melody and lyric that are almost finished, and we'll just touch it up together. We tend to work fast. We like to ride the momentum of that first creative moment. And I have to admit the initial impulse is usually Dion's. His creative energy is astonishing.
 

S4L: You have co-written with Dion now on five albums, is there a level of trust that goes into writing with someone, like you know how he might be thinking or feeling about the subject of the song and so you don't, for want of a better phrase, "cross any lines"? Does he challenge you to write better?

Mike: Absolutely. The fields where I do most of my work are history and theology. I've published poems that are in my voice, and sometimes I wax cerebral. If I'm writing a song and I slip into that kind of talk, Dion's standard response is: "We don't say that in the Bronx."

Listen, I love writing songs with him, but he's the one who's going to sing the song, and it has to be in his voice. By that I mean his literary voice, his performer's persona — the guy who sings
"The Wanderer" and "Runaround Sue." I'm not there to indulge my own inclinations. But, really, I love those constraints, and I love Dion, and I love the on-stage character he inhabits.

It helps that our friendship predates our professional relationship by many years. I can anticipate his reactions while I'm writing a song. If I type the word "erstwhile" or "albeit," I know immediately I should back up.

S4L: Now, this is a part you might struggle to answer (or maybe not if you are extremely confident), can you name five songs that you have co-written with Dion that you think are your finest?

Mike: I tried. I can't. I'll give you nine, in no particular order:

I'm Your Gangster Of Love
Can't Go Back To Memphis
New York Is My Home
Blues Comin' On
Can’t Start Over Again
Song For Sam Cooke (Here In America)
There Was A Time
Angel In The Alleyways
An American Hero

S4L: A thing a like to do with everyone who I interview on Soundtrack4Life is to ask my guests to name a number of songs or albums that you would say are part of your very own Soundtrack4Life?

Mike: Dion's "The Night Stood Still," from his 1989 album YO FRANKIE!, still captures the feelings of love I have for my wife of thirty-nine years. It also happens to be my wife's favorite Dion song.

John Michael Talbot's music is a big part of the soundtrack to my spiritual life. I cannot hear or sing
"Holy Is His Name" without weeping. Recently I led the retreat at John's monastery, and he'd walk into my conferences with his guitar, and I just knew I'd be a puddle before the hour had passed.

I appreciate you giving your time to doing this Mike, many thanks and as you will have noticed I borrowed a few of your pictures from your FB page. Hope that's okay?




 

Friday 15 March 2024

Dion DiMucci - The King of the New York Streets Into The 21st Century

I hadn't intended that this would be a big post spotlighting the whole career of Dion but that's how it turned out. I've spent the last three days listening to every album by Dion and The Belmonts and then Dion's Solo albums through all phases of his almost seven decade career. I got a bit overly excited as I listened and thought why not share this music because there's bound to be folk out there who have never heard of Dion DiMucci (I'm being realistic when I say that) and I can't think of a better way to rectify that than by sharing as much of the music as I can. I grew up listening to him and there's rarely been a moment in my life that his music has not been there.
 
Before getting to the 21st Century a brief musical history of Dion DiMucci in the 20th Century is worth mentioning seeing that he has enjoyed a long career in music dating back to 1957 and he's released albums and singles in pretty much every decade since (40 albums and numerous singles). There's lots of links to the music so click on them to enjoy. Pretty much every album released has a link so there's a lot of music to get through. Hope you enjoy it.

Dion DiMucci released his first ever record way back in 1957 ("The Chosen Few" credited to Dion and The Timberlanes) and within a short space of time he recruited some friends who became The Belmonts (named after their neighbourhood, Belmont in the Bronx). Two singles were released on the Mohawk label ("Santa Margarita" and "Tag Along") but never troubled the charts. The breakthrough came in 1958 when "I Wonder Why", released on Laurie Records, charted at #22, followed by "No One Knows" (#19) and "Don't Pity Me" (#40). Other hits would follow like "Teenager In Love" (1959 #5) and "Where or When" (1960 #3). 

1959 saw the release of their debut album 'Presenting Dion and The Belmonts'. Other Dion and The Belmonts albums were 'Wish Upon A Star' (1960), 'Together Again' (1967) and 'Reunion - Live at Madison Square Garden 1972' (1973)

By 1960 Dion had gone solo and began consistently to have a chart presence for a few years (though not all were Top 40). A wee glimpse at some of those will give you a wee taster: "Lonely Teenager" (1960 #12), "Runaround Sue" (1961 #1), "The Wanderer" (1961 #2), "The Majestic" (1961 #36), "Lovers Who Wander" (1962 #3), "(I Was) Born To Cry" (1962 #42), "Little Diane" (1962 #8), "Love Came To Me" (1962 #10), "Ruby Baby" (1962 #2), "Donna The Prima Donna" (1963 #6), "Drip Drop" (1962 #6). After 1964 he wouldn't grace the singles charts again until 1968 when he released "Abraham, Martin and John" (#4), a song that became a hit for Smokey Robinson and The Miracles and probably the most well known version by Marvin Gaye.

 Dion's 1960's albums include the Solo Debut 'Runaround Sue' (1961), 'Alone With Dion' (1961), 'Lovers Who Wander' (1962), 'Dion Sings To Sandy' (1963), 'Ruby Baby' (1963), 'Donna The Prima Donna' (1963), 'Love Came To Me' (1963), 'Dion' (1968) and 'Wonder Where I'm Bound' (1969).

 In the 1970s Dion would release albums that were a bit more contemplative: Sit Down Old Friend (1970), You're Not Alone (1971), Sanctuary (1971), Born To With You (1975), Streetheart  (1976), and Return Of The Wanderer (1978). Out of these 'Born To Be With You' is one of standouts. It was produced by Phil Spector and although it was shelved until 1975 and sort of disowned by Dion, it has been cited as an an influential album by Bobby Gillesepie of Primal Scream and others. 

From 1980 through to 1986 Dion recorded six Gospel Orientated albums: Inside Job (1980), Only Jesus (1981), I Put Away My Idols (1983), Seasons (1984), Kingdom in the Streets (1985) and Velvet & Steel (1986). 

By 1989 he was back in the Rock 'n' Roll world celebrating his induction into the Rock and Roll Hall of Fame and one of his best albums in years, Yo Frankie (1989). It was produced by Dave Edmunds and featured the likes of Edmunds on guitar, Bryan Adams, k.d. lang, Lou Reed, Paul Simon and Patty Smyth. Of all Dion's releases Yo Frankie is one of my most favourite ones. 

Three more albums followed in the nineties, a previously unreleased Fire In The Night (which was originally due for release in 1979 but shelved until 1990 and issued by ACE), the exceptional Dream on Fire (1992) which kicks off with an amazing Doo Wop version of Bruce Springsteen's "If I Should Fall Behind" (a lot of folks have covered Springsteen over the years and I view this as one the best covers out of all of them!) and Rock 'n Roll Christmas (1993), which I'm not keen on...but I don't like a lot of Christmas albums anyway.

Now we reach the 21st Century. Fourteen albums have been released over the course of 24 years, a few of which are older recordings but I'm including them in this section as well. Dion was heading towards his 61st birthday as the year 2000 rolled around and this year he will turn 85 in July. He's making some of the best music of his life, as I hope you will see and hear when we get up to date. There are links for every album so click on them to enjoy the music.

Déjà Nu
Collectables (US)/Ace (UK)
2000
 "Déjà Nu has eleven songs which could be right out of the late fifties or early sixties, Dion has intentionally kept the production technique to a bare minimum to capture the original spirit of the songs that made him famous like Runaround Sue or The Wanderer... yes it's a modern recording, and yes he uses modern equipment but he has a feel for the "oldies sound" without using the "remember the old days" lyrics and sentiments you hear so often from his contemporaries. It oozes class and that's something you always get from a Dion album - CLASS!" - Gordon Watson for Doo Wop Magazine
New Masters
Collectables
2003
 Dion and his music represent a special time and place... a moment when a song could mean so much and a singer could sum up what it means to be young, in love and on top of the world. Today, Dion's songs grow more important and valuable to his fans, himself and to a whole new generation of believers. 'New Masters' contains all-new versions of Dion's classic hits, a few tributes to other pioneers of rock's first generation, and some brand new songs including a beautiful ballad Dion composed for his wife ("Behind Susan's Eyes") and a stunning response to the terrorist attacks of September 11th ("Come Heal This Land").
 
 "Among the parade of great talent from the dawn of the rock era, Dion alone has remained a creative force, a street poet giving voice to all that makes our hearts light and sets our spirits free." - David Scott
 Recorded in 1987 but only released in 2005
The encore on this one is"Runaround Sue," which includes a host of special guests including Paul Shaffer, Little Steven, Felix Cavaliere, and Darlene Love.
Bronx In Blue
Razor & Tie/Dimensional Recordings
2006 
As doo-wop giant Dion points out in the liner notes to Bronx in Blue, there was no rock & roll back when he was growing up in New York, and so it was the Southern sounds of the blues and country coming over the radio that set him off on his brilliant musical career. On Bronx, the former Belmonts frontman delivers deeply felt, stripped-down takes on some of his favorite songs from the likes of Robert Johnson ("Walkin' Blues," "Travelin' Riverside Blues" and "Crossroads"), Jimmy Reed ("Baby, What You Want Me to Do") and Howlin' Wolf ("How Many More Years"). Accompanied only by his acoustic guitar and a little percussion, Dion delivers stunning versions of Hank Williams' "Honky Tonk Blues" and Jimmie Rodgers' "You're the One." - David Wild for Rolling Stone

Son of Skip James
Verve Forecast
6th November 2007
 The album "does not fall short when it comes to ass-kicking" - Tony Sclafani of PopMatters
Heroes: Giants Of Early Guitar Rock
Saguaro Road Records
2008
 On the album Heroes: Giants of Early Guitar Rock, Dion shares some of the songs of his own Heroes - Elvis Presley, Eddie Cochran, Gene Vincent, Buddy Holly, Roy Orbison, Ritchie Valens, Chuck Berry, Bo Diddley, Johnny Cash, the Everly Brothers and more. All the artists represented are in the Rock and Roll Hall of Fame.
"Rock ‘n’ roll started as rebellious music. It had an attitude, and in that attitude was a lot of stuff: anger, frustration, joy and that whole sense of really shakin’ things up.
When it first exploded, it happened in a whole lot of different places at once. In Lubbock, Tex., it was Buddy Holly. In the San Fernando Valley, it was Ritchie Valens. And the brand of it that I made comes from where I come from. That’s why they call it the Bronx blues."
- Dion
Tank Full of Blues
Blue Horizon
2011
 "Tank Full of Blues is a stunning musical statement delivered by an artist who has lived and breathed the blues for decades... Throughout Tank Full of Blues, Dion’s powerful vocals are matched by his fierce, unbridled guitarplay and an uncanny songwriting sense. Those who dismiss Dion as yesterday’s news display their own ignorance, as Tank Full of Blues is one of the most soulful blues albums that you’ll hear this year…or any other." - Blues Review
Recorded Live At The Bitter End, August 1971
Omnivore Recordings (US)/Ace (UK)
2015
"There’s a boldness and confidence on these voice-and-guitar performances (well-mastered by Duncan Cowell for crisp sound throughout), as well as an innate gentility and searching quality that makes Dion’s connection with the audience palpable...With seventeen tracks touching on folk, blues, rock and roll, and pop from a national treasure of American music, Dion: Recorded Live at the Bitter End, August 1971 is one of the year’s happiest vault finds." - Joe Marchese for The Second Disc April 9th 2015
New York Is My Home
Instant Records
12th February 2016
 "All hail Dion, the real link between Frank Sinatra and rock 'n' roll." - Bruce Springsteen

"Dion comes from a time when so-so singers couldn't cut it - they either never got heard or got exposed quick and got out of the way. To have it, you really had to have it, no smoke and mirrors then - not a minute to spare - rough and ready - glorious and grand - grieving with heartache and feeling too much but still with the always "better not try it" attitude." - Bob Dylan 

 "Sonically, these remasters are full of life and a youthful, vibrant crispness that make you wonder why it took 50 years for the bulk of them to make an appearance. The version of Dylan’s It’s All Over Now Baby Blue (also recorded in 1965) is stunning and shimmering. And even if the title track is a little too Dylan sounding, Dion has every right to recreate a style he was reportedly at the crossroads of inspiring." - Hal Horowitz for American Songwriter
 Blues With Friends
Keeping The Blues Alive Records
5th June 2020
"Coming off my last album I was productive, and I ended up with a great batch of songs. I ran one by Joe Bonamassa, who said right away he wanted to play on it. And that’s how this album came about. Joe inspired me to invite others. I had songs that were strong and told good stories.
I wanted the best musicians alive like Jeff Beck, Bruce Springsteen, Paul Simon, Van Morrison and more to take them in unexpected directions. Wayne Hood, my producer, brought out the best of them. We have amazing songs and great guitars"
– Dion 

1 Blues Comin' On - With Joe Bonamassa
2 Kickin' Child - With Joe Menza
3 Uptown Number 7 - With Brian Setzer
4 Can't Start Over Again -With Jeff Beck
5 My Baby Loves To Boogie - With John Hammond
6 I Got Nothin' - With Van Morrison & Joe Louis Walker
7 Stumbling Blues - With Jimmy* And Jerry Vivino
8 Bam Bang Boom - With Billy Gibbons
9 I Got The Cure - With Sonny Landreth
10 Song For Sam Cooke (Here In America) - With Paul Simon
11 What If I Told You - With Samantha Fish
12 Told You Once In August - With John Hammond* & Rory Block
13 Way Down (I Won't Cry No More) - With Stevie Van Zandt
14 Hymn To Him - With Patti Scialfa & Bruce Springsteen
 
Stomping Ground
Keeping The Blues Alive Records
5th November 2021
"Many collaborative albums fall into the trap of fighting tooth and nail to find marketable gimmickry that might appeal to the masses, or bring an older artist back into the spotlight. On Stomping Ground it feels like the goal is to create some classic, high-quality tunes for the sake of the music itself. It might not be the most original of concepts, but it is one of the best examples of serious musicians coming together to make an album whose varied strengths reveal themselves with each subsequent listening."- Willie Witten for Blues Rock Review

1 Take It Back - With Joe Bonamassa
2 Hey Diddle Diddle - With G.E. Smith
3 Dancing Girl - With Mark Knopfler
4 If You Wanna Rock 'N' Roll - With Eric Clapton
5 There Was A time - With Peter Frampton
6 Cryin' Shame - With Sonny Landreth
7 The Night Is Young - With Joe Menza & Wayne Hood
8 That's What The Doctor Said - With Steve Conn
9 My Stomping Ground - With Billy F Gibbons
10 Angel In The Alleyways - With Patti Scialfa & Bruce Springsteen
11 I've Got To Get To You - With Boz Scaggs, Joe Menza & Mike Menza
12 Red House - With Keb' Mo'
13 I Got My Eyes On You Baby - With Marcia Ball & Jimmy Vivino
14 I've Been Watching - With Rickie Lee Jones & Wayne Hood

Girl Friends
Keeping The Blues Alive Records
8th March 2024
Legendary Rock & Roll Hall of Famer Dion delivers a new album that transcends generations: Girl Friends. His latest from KTBA Records sees him collaborating with a stellar lineup of female artists including the soulful Susan Tedeschi, powerhouse Shemekia Copeland, icon Carlene Carter, virtuoso Joanne Shaw Taylor, and the versatile Maggie Rose, among others. Dion's timeless voice, and the distinct styles of these acclaimed artists, create a fusion celebrating the rich tapestry of American music.

1 Soul Force - Featuring Susan Tedeschi
2 I Aim To Please - Featuring Danielle Nicole
3 Stop Drop And Roll - Featuring Valerie Tyson
4 Do Ladies Get The Blues - Featuring Christine Ohlman & Debbie Davies
5 An American Hero - Featuring Carlene Carter
6 Don't You Want A Man Like Me - Featuring Rory Block
7 Sugar Daddy - Featuring Christine Ohlman
8 Endless Highway - Featuring Randy Fishenfeld
9 I Got Wise - Featuring Maggie Rose
10 Hey Suzy - Featuring  Sue Foley
11 Mama Said - Featuring Shemekia Copeland
12 Just Like That - Featuring Joanne Shaw Taylor
 
Between the 'Tank Full of Blues ' album and 'Girl Friends' Dion had a new Co-writer by his side, Mike Aquilina. The next post here on Soundtrack4Life I'll be interviewing Mike Aquilina about his role as a Co-writer with Dion. Be prepared to be a little surprised by Mike because songwriting is not his sole profession.

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