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Sunday, 29 July 2012

Bruce Springsteen - Wrecking Ball Tour - Gothenburg 28th July 2012


Gig Notes are from Backstreets.com


In most cases, reporting on a Bruce Springsteen concert is a rewarding experience. You get the oppportunity to share a great live experience with a fan community, describing the night's performance and particular highlights. Only in very few cases — if ever — you know you have been witnessing something that can't be described in words. Then, the job gets a bit trickier. Ullevi tonight was one of those nights. 
After Bruce and the band delivered a solid show yesterday, aimed to please a record-breaking 66,000-plus audience, hopes were high for a second show to be just as good but very different, as with the two-night stand in Bergen earlier this week. Well, we did get a different show: 19 songs not played the night before, and several tour premieres... and we got a lot more.
From the very beginning, Bruce seemed to be full of confidence following Friday night's show, which won rave reviews in all the newspapers. Entering the stage in a white T-shirt and a black vest, he opened with the full-band redention of "Who'll Stop the Rain" (Gothenburg had heavy rain all day, tapering off just about an hour before the concert). "The Ties That Bind" followed, sounding tight despite being infrequently played, Jake sounding as good as the Big Man himself at his prime. A "Born in the U.S.A. double-header," in Bruce's words, brought us "Downbound Train" and "I'm Goin' Down," with Jake really shining once again. The first sign request of the evening — "We haven't played this in quite a while, but due to the weather conditions..." — was the tour premiere of "Lost in the Flood." While both Bruce and Roy needed a bit of brushing up before the song could start, once it got going we got a stellar performance of this song, which ever since the reunion tour redention has been a fan favorite whenever it is played. During a particularly emotional "My City of Ruins" the "we are not worthy" waving from the crowd toward the side of the stage previously occupied by the Big Man was particularly heavy — indeed a sign for things to come later in the evening.

A sign request brought "Saint in the City": "A lucky song. I got my record contract playing this one," Bruce introduced it, going on to deliver hot guitar solos with Steve during an extended coda. Introduced as a song from The River album, out came the tour premiere of "Frankie." The introduction with Nils on 12-string supported by Soozie on fiddle was new, adding a country flavor to this one, which Bruce called "a beautiful song" (despite seemingly missing the fact that this was recorded for both Darkness and Born in the U.S.A., the latter version released on Tracks). Also new was Bruce's guitar solo (in place of the sax solo) toward the end of the song. 
To please the crowd, no fewer than three sing-along staples in a row ensured that causal fans got their money worth: "Hungry Heart," "Shackled and Drawn," and "Waitin' on a Sunny Day." As a special thank you to fans who have been "following us from place to place to place to place..." we got the tour premiere of "Where the Bands Are," with Bruce playing the first verse alone before the full band kicking in. But he clearly wasn't finished expressing his gratitutde: up next was a truly masterful performance of "Backstreets," delivered with a lengthy interlude (not as long as the much-loved '78 version, but close), with Bruce repeating "til the end" and "come a little closer" before taking on the "hiding on the backstreets" part. The best performance of this song I've seen since the Darkness tour period. If some Swedish authority had decided to the plug there and then, this would have been the best show of the tour, but Bruce and the band were far from done.
Closing out the main set was a hot version of "Badlands" and an epic "Land of Hope and Dreams." Kicking off the encore, we got a crystal-clear "Thunder Road" delivered with incredible passion and determination, getting us to believe that we really were gonna pull out of this town and win. Following an earth-shaking "Born in the U.S.A." and "Born to Run," we got some pure fun through "Ramrod." By the end of "Dancing in the Dark," Bruce signaled that his voice was gone — which was partially true, already having shown some signs of wear and tear yesterday — but as usual, Steve got him on his feet again after a few liters of water from the sponge.
When we thought this could be all over after the tribute that is "Tenth Avenue Freeze-out," Bruce wasn't done talking about the Big Man. He noted that "Clarence always had a special connection to Sweden," and then: "We haven't rehearsed this, but this is for you and for the Big Man." What followed was the tour premiere of "Jungleland." With Soozie moving back a little bit, a spotlight fell on a lonely saxophone placed at Clarence's usual stage position, and we got an extremely moving redention of his signature tune. To say that Jake was up to the task would be a severe understatement. Following the song, Bruce and Jake embraced, and tears were not only in Jake's eyes, but in everyody's. Clearly one for the history books of the E Street Band.
Having thanked the Swedish audience for "two amazing nights" and an "Oh my God" seldom heard from Bruce on stage, he said that "We need to send these people home!" But not before the stadium-breaker anthem "Twist and Shout," with the La Bamba part thown in for good measure making it the longest version of the song since the Amnesty tour. After that it really was the end to a show which not only can be described as the best of this tour by a good distance, the best of the decade (yes, St. Louis 2008 has served us well so far), and possibly, just possibly, the best one ever. I'm sure such a statement is up for grabs, but there's no doubt this is a strong contender. - Ivar Noer reporting - photographs by Riku Olkkonen
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